Adobe premiere pro cs4 render faster software#
The Matrox 4.2 software release is available as a free download from the Matrox website for registered owners of Matrox Axio LE and RT.X2. It is now available through a worldwide network of authorized dealers.
Matrox CompressHD, a low-profile, half-length PCIe x1 card, is priced at $495 US (£375, €449) not including shipping and local taxes. Software release 4.2 for the Matrox Axio LE and RT.X2 platforms also provides support for the Windows 7 64-bit operating system and Adobe Premiere Pro and Media Encoder CS4 4.2, as well performance enhancements for AVCHD, AVC-Intra, XDCAM EX, and P2 editing workflows. That may give you a speed boost, but you will be re-compressing an already compressed file, which is not ideal for quality. If you select Use Previews in the Export dialog, Premiere Pro will apply the Preview render files for your export. "This potent combination of Matrox products cranks out H.264 deliverables faster than ever before for Blu-ray, YouTube, Flash, various web formats, and mobile devices including iPhone and iPod from various video sources including SD, HD, and RED R3D 2K and 4K files." Premiere Pro’s default Previews are optimized for playback, not image quality. "For the first time, Adobe Premiere Pro editors can combine powerful Matrox realtime editing performance with the new Matrox MAX H.264 encoding acceleration technology to deliver complex timelines in today's most popular formats without rendering," said Chris Yigit, Matrox technical marketing manager. I was working hard to get the timing correct and iron out the details, yet every single time I made a change, I had to render the project in order to properly.
Adobe premiere pro cs4 render faster how to#
Montreal, Canada – January 18, 2010 - Matrox® Video Products Group today announced support for the Matrox CompressHD H.264 encoding accelerator card in conjunction with the Matrox Axio LE and RT.X2 realtime editing platforms. How to Render and Edit Faster in Premiere Pro I was recently editing a project for a client that involved a complicated series of clips and effects at the very beginning of the film.
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